In the follow-up to the explosive global graffiti documentary Bomb It, director Jon Reiss takes audiences to previously unexplored areas of the Middle East, Europe, Asia, the United States and Australia on a hunt for innovative street art and artists. Bomb It 2 explores the indigenous street art scenes in Singapore, Bangkok, Jakarta, Hong Kong, Tel Aviv, Perth, Melbourne, Copenhagen, Chicago, Austin and the Palestinian refugee camps on the West Bank. Using an ultra compact camera and sound package, Reiss travelled by himself to film artists and writers representing a wide range of cultures, styles and beliefs including Klone, Know Hope, Great Bates, Twoone, Darbotz, Killer Gerbil and Zero, Bon, Alex Face, Sloke, Husk Mit Navn, Ash, Phibs, Stormie Mills, Beejoir, Zero Cents, Vexta, MIC, and Xeme, and many more. In the Middle East, Reiss talks with Muhnned Alazzh in the West Bank where Alazzh emphasizes the cultural and political significance of writing on the wall in the Palestinian refugee camps. In Jakarta, Indonesia, Darbotz's work is heavily influenced by his study of semiotics. Instead of applying a signature to his pieces, Darbotz paints his signature squid monsters in black and white, to distinguish them from the explosion of color on the Jakarta streets. In Singapore, Reiss connects with street artists Zero and Killer Gerbil, who explain the paradox of doing graffiti in one of the most highly policed states in the world. Bomb It 2 seeks out what is unique about each artist - whether it be how their mother took them out to graffiti as a child, if and what they are trying to communicate to their audiences, or how their culture and language affect their work causing them to break from western graffiti and street art traditions. However in each city one of the constants of graffiti exists - the need to express oneself in public and the addictive nature of getting up!