In this heart-pounding sci-fi thriller, something strange is happening to the appliances in 11-yearold David's home. Televisions, microwaves, computers, dryers and furnaces have all become weapons of destruction.

Japanese teens investigate a series of suicides linked to an internet webcam that promises visitors the chance to interact with the dead.

In today's world of modern conveniences, everything we rely on is run by electricity. But what happens if the power we take for granted turns against us? Old man Holger (Charles Tyner) knows. He claims electricity is a living presence, whose voice can only be silenced by getting rid of anything that can hear it. Bill Rockland (Cliff De Young), however, refuses to believe him. It must have been an accident when an electric spark ruptured the gas pipe that nearly killed Bill's son (Joey Lawrence). And it's surely a coincidence when his wife (Roxanne Hart) is severely scalded by their electric water heater. But when his own power tools attack him and an electrical fire turns their home into a blazing inferno, Bill realizes Holger may have been right after all, and perhaps the time has come to finally pull the plug.

Television commercial director and music video maker Marcus Adams directs the U.K. thriller Octane, shot entirely in Luxembourg. Madeleine Stowe stars as overprotective mother Senga Wilson, who doesn't want her teenage daughter Nat (Mischa Barton) to get into trouble. While driving down the road with her mother one night, Nat jumps out of the car and escapes with a bunch of backpackers. It turns out the crowd she's running with is really an evil cult that's out for blood, led by a freaky guy they call The Father (Jonathan Rhys Meyers). In order to save her daughter, Senga embarks on a thrilling journey into a rave/dance underworld of violent twentysomethings while she copes with her own past. The techno soundtrack was provided by Orbital. Octane premiered in the U.S. at the {~2003 CineVegas International Film Festival} and was renamed Pulse for its eventual video release. ~ Andrea LeVasseur, All Movie Guide.

As one of the most cutting-edge Japanese filmmakers, Kiyoshi Kurosawa once again wraps a lowbrow, much-maligned genre -- in this case horror flicks (which were the rage in Japan at the time of this release) -- around some decidedly highbrow philosophical concepts. At the film's outset, Michi (Kumiko Aso) and her cohorts at a rooftop nursery cannot get ahold of their co-worker, Taguchi (Kenji Mizuhashi), who has an important floppy disk. When she ventures over to his apartment, she finds him pale, listless, and unusually quiet -- that is until he suddenly hangs himself. While the suicide is disconcerting, what really freaks Michi out is that Taguchi's body seems to dissolve into the wall, leaving a sickly black stain. Meanwhile, college slacker Ryosuke Kawashima (Haruhiko Kato) logs onto the Internet for the first time even though he is not particularly fond of computers. Instead of stumbling into a porn site or a chat room, he finds himself in a most peculiar site -- he just sees ghostly images of other peopl

When wireless technology puts humans into contact with an unstoppable force that's determined to claim the lives of the living for the souls of the damned, it's up to a group of determined teens to close the gate before it's too late in director Jim Sonzero's remake of Kiyoshi Kurosawa's apocalyptic horror classic. A doorway between the human realm and the spiritual realm has been opened, and now the technology that once made humankind the ruler of the planet has become its digital Achilles heel. With every call made and every e-mail checked, life is slowly being stolen from the living and claimed for the dead. With no way of turning off the connection and no means of reasoning with a force they cannot understand, a desperate group of college students must discover a means of stopping the takeover before the entire planet is transformed into a cosmic haunting ground for wayward souls in search of a home. ~ Jason Buchanan, All Movie Guide.