Videos: Robert F. Simon

Paris. The perfect romantic setting for a funny, charming "opposites attract" comedy romp. Especially when the attracting opposites are Paul Newman and Joanne Woodward. The Oscar-winning stars (and real-life husband and wife) play a breezy newspaper reporter and a no-nonsense fashion buyer who share a nasty case of hate at first sight. But he takes a second look when she goes from grim to glamorous in one magical afternoon at Elizabeth Arden's Beauty Salon. Will l'amour triumph! It can't miss with Thelma Ritter, Eva Gabor and Maurice Chevalier lending Cupid a hand.

Paris. The perfect romantic setting for a funny, charming "opposites attract" comedy romp. Especially when the attracting opposites are Paul Newman and Joanne Woodward. The Oscar.-winning stars (and real-life husband and wife) play a breezy newspaper reporter and a no-nonsense fashion buyer who share a nasty case of hate at first sight. But he takes a second look when she goes from grim to glamorous in one magical afternoon at Elizabeth Arden's Beauty Salon. Will l'amour triumph! It can't miss with Thelma Ritter, Eva Gabor and Maurice Chevalier lending Cupid a hand.

Paris. The perfect romantic setting for a funny, charming "opposites attract" comedy romp. Especially when the attracting opposites are Paul Newman and Joanne Woodward. The Oscar.-winning stars (and real-life husband and wife) play a breezy newspaper reporter and a no-nonsense fashion buyer who share a nasty case of hate at first sight. But he takes a second look when she goes from grim to glamorous in one magical afternoon at Elizabeth Arden's Beauty Salon. Will l'amour triumph! It can't miss with Thelma Ritter, Eva Gabor and Maurice Chevalier lending Cupid a hand.

Paris. The perfect romantic setting for a funny, charming "opposites attract" comedy romp. Especially when the attracting opposites are Paul Newman and Joanne Woodward. The Oscar.-winning stars (and real-life husband and wife) play a breezy newspaper reporter and a no-nonsense fashion buyer who share a nasty case of hate at first sight. But he takes a second look when she goes from grim to glamorous in one magical afternoon at Elizabeth Arden's Beauty Salon. Will l'amour triumph! It can't miss with Thelma Ritter, Eva Gabor and Maurice Chevalier lending Cupid a hand.

Paris. The perfect romantic setting for a funny, charming "opposites attract" comedy romp. Especially when the attracting opposites are Paul Newman and Joanne Woodward. The Oscar.-winning stars (and real-life husband and wife) play a breezy newspaper reporter and a no-nonsense fashion buyer who share a nasty case of hate at first sight. But he takes a second look when she goes from grim to glamorous in one magical afternoon at Elizabeth Arden's Beauty Salon. Will l'amour triumph! It can't miss with Thelma Ritter, Eva Gabor and Maurice Chevalier lending Cupid a hand.

A senator who returns to his dusty hometown for an outlaw's funeral explains how he rose to political prominence after killing a feared gunslinger.

Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day western to beat all westerns. John Ford, whose very name is synonymous with "westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and bad man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman, but the other gets the gal.

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance but unlike Pilate, Ford waits for an answer.

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance but unlike Pilate, Ford waits for an answer.

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance but unlike Pilate, Ford waits for an answer.

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance but unlike Pilate, Ford waits for an answer.

The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance. And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest. One gets the gunman but the other gets the gal.

ADA is the tale of Ayaan, son of a Noble human being Anil Anand, and a Spiritual Mother, Aamina. Ayaan’s gentle world is turned upside down when Anil starts receiving death threats if he goes ahead with his testimony against some criminals. The world of moral certainties crumbles in the face of contemporary disarray, as the murder of his father sets Ayaan on a course of revenge and killing against the criminals of Mumbai, as he becomes a contract killer.

Compulsion, a deeply moving psychological courtroom drama, is one of several re-tellings of the infamous 1924 Leopold and Loeb killings. Artie Straus is the sadistic leader of the duo, and Judd Steiner is Straus' introverted counterpart. Both boys -- gay lovers -- are the products of affluent, privileged upbringings, and both consider themselves above conventional structures of morality. Exercising their overwhelming feelings of superiority, the two students decide to kill a young boy. Rather than repenting for their crime, Steiner and Straus then set out to further the experiment by lending aid to the authorities. Inevitably, the duo is captured and prosecuted for the murder. Defense attorney Jonathan Wilk steps in and attempts to save the boys from execution, despite never receiving any explanation from the young culprits of their crime.

In a retelling of the Leopold and Loeb murders, two men with massive superiority complexes murder a younger boy and are subsequently put on trial.