Daniel Auteuil and Emmanuelle B art from Manon of the Spring (1986) co-star once again in Un Coeur en Hiver, playing characters whose distance from each others' lives belies the enormous emotional impact they have on one another. Directed by Claude Sautet, whose 40-year career included the Oscar-winning C sar et Rosalie (1972), Un Coeur en Hiver is a remarkably restrained film with torrents of feeling just under the surface. Auteuil plays Stephane, partner in an exclusive violin brokerage. His older business partner Maxime (Andre Dussolier) has a lovely new violinist girlfriend, Camille (B art), who stirs Stephane but is ultimately rejected by him, sending all three characters into a spin that destroys their delicate, symbiotic balance. Hovering over this story is an unusual musical motif that is key to the characters' inner motivations. Violins play, and play on camera, all through the film, but the nature of Stephane's craft, Camille's career, and Maxime's profits is that the music can always be refined,

Long-established director Emir Kusturica makes his acting debut in Patrice Leconte's 19th century tale of a loyal, strong-willed woman who follows her soldier husband to a desolate French territory off the coast of Newfoundland. Madame La (Juliette Binoche) lives in marital bliss on the island of Saint-Pierre with her loving, oddball husband (Daniel Auteuil), simply called the Captain by his charges. Their world is upset one night, however, when two visiting sailors on a bender murder a local citizen. Neel (Kusturica) is sentenced to death, but the other one dies in a carriage accident before reaching prison. As the island waits for a guillotine (or widow) to be shipped from the French government, Madame La does her best to convince the townspeople that Neel is genuinely good of heart and doesn't deserve a bloody fate. La Veuve de Saint-Pierre marks the second time that Auteuil has worked with director Leconte: their first effort, La Fille Sur la Pont, earned him a Best Actor award at the Cesars, France's equ

This easygoing French comedy -- originally and more wittily titled Romuald et Juliette -- is about conservative Parisian yogurt-company executive Romuald Blindet (Daniel Auteuil) who by circumstance finds himself drawing closer to his black cleaning woman Juliette Bonaventure (Firmine Richard). A romance develops, which the impoverished woman exploits to the advantage of her five out-of-wedlock children. ~ Hal Erickson, All Movie Guide.

Paranoia grips a bourgeois European family when a series of menacing videotapes begin turning up on their doorstep in Piano Teacher director Michael Haneke's dark drama. From the outside, Georges (Daniel Auteuil), Anne (Juliette Binoche), and son Pierrot (Lester Makedonsky) are the typical middle-class European family, but when a series of mysterious videotapes accompanied by morbid drawings reveal that someone has been monitoring their house, Georges begins to suspect that his past has come back to haunt him. It was during France's occupation of Algeria that Georges wronged a young Algerian boy named Majid (Maurice B nichou), and as the enraged father and husband begins tracking down his former friend, the line between victim and predator becomes increasingly blurred. ~ Jason Buchanan, All Movie Guide.

Co-adapted by director Claude Berri from a novel by Marcel Pagnol, this hugely successful French historical drama concerns a bizarre battle royale over a valuable natural spring in a remote French farming community. City dweller Jean Cadoret (G rard Depardieu) assumes ownership of the spring when the original owner is accidentally killed by covetous farmer Cesar Soubeyran (Yves Montand). Soubeyran and his equally disreputable nephew Ugolin (Daniel Auteuil) pull every dirty trick in the book to force Cadoret off his land, but the novice farmer stands firm. Although the Soubeyrans appear to gain the upper hand, the audience is assured that they will eventually be foiled by the vengeful daughter of the spring's deceased owner -- thus setting the stage for the film's equally successful sequel, Manon of the Spring. ~ Hal Erickson, All Movie Guide.

The Lost Son brings together talented British director Chris Menges with a well-known face of French cinema, Daniel Auteuil, who plays a detective in self-exile in London who deals mostly with cases of adultery. At the same time, he is trying to come to terms with the ghosts of his past. While trying to locate the brother-in-law of an old friend who once saved his life, he finds himself in the middle of a network of pedophiles. The director tries to avoid voyeurism or over-simplification in dealing with such a sensitive issue. The tone is not judgmental. One memorable image sums up the thrust of the film: a silent boy urinating on the corpse of one of his torturers. ~ G n l D nmez-Colin, All Movie Guide.

French farce master Francis Veber (The Dinner Game) combines slapstick laughs with rapid-fire dialogue as he tells the tale of a Parisian valet unwittingly drawn into the affairs of a wealthy industrialist. Fran ois Pignon (Gad Elmaleh) is a simple valet employed by a posh Paris restaurant. Blissfully unaware of the paparazzi stalking powerful businessman Pierre Levasseur (Daniel Auteuil) and his stunning mistress, Elena (Alice Taglioni), the innocent passerby Fran ois wanders haphazardly into the frame. Realizing that the common man in the photograph may be Levasseur's only hope of avoiding a nasty divorce from his wife, Christine (Kristin Scott Thomas), Pierre's quick-thinking lawyer (Richard Berry) arranges for Fran ois to live with Elena in order to mislead the tabloids. Having just been dumped by childhood sweetheart Emilie (Virginie Ledoyen), Fran ois accepts the proposal, in the hopes he can win her back through jealousy. But Pierre's jealousy flares, Elena grows frustrated with her new digs, and C

A businessman tries to belatedly learn the fine art of friendship in this comedy from French filmmaker Patrice Leconte. Fran ois (Daniel Auteuil) is an antique dealer who runs an upscale shop with his business partner, Catherine (Julie Gayet). Fran ois is a gently ruthless trader who will do nearly anything to make a deal, and when Catherine throws him a birthday party, someone points out that all the guests are business associates, not personal friends. While Fran ois protests that he does indeed have friends, Catherine calls him on it and makes him a deal -- if he can produce his best friend within ten days, he'll be allowed to keep a valuable vase he recently found for the shop, but if not, the vase will belong to her. Fran ois agrees to the challenge, but while going through his address book, he begins to realize he really doesn't have any especially close friends. Over the course of several days, Fran ois keeps running into Bruno (Dany Boon), a gregarious and friendly taxi driver, and while Bruno's

This period swashbuckler, set during the years 1699 to 1716, is the seventh screen adaptation of Paul Feval's 1857 serialized novel. Trained in circus stunts and fencing, Lagardere (Daniel Auteuil) becomes the bodyguard of the Duke of Nevers (Vincent Perez), whose cousin is the greedy Gonzague (Luchini). Nevers learns he is a father and plans to marry Blanche de Caylus (Claire Nebout) in order to raise an heir. Gonzague dispatches assassins to kill Nevers, Blanche, and their baby. Dying, Nevers turns the child over to Lagardere, asking him to gain revenge on his killers. The infant is a girl, and Lagardere and the child hide amidst an Italian troupe of actors. Years pass, and the young Aurore (Marie Gillain) grows up believing Lagardere is her father. When the actors arrive in Paris 16 years after Nevers death, Lagardere at last sets the stage for revenge. Swordfight choreography by Michel Carliez, son of the fight expert who trained Jean Marais for the 1959 film of Le Bossu. Shown at the 1997 {~Acapulco Fren

Francis Veber ("The Dinner Game" and "The Closet"), the living master of French farce, has combined his classic elements of hilarious slapstick with quick-witted dialogue in the new film 'The Valet'. The tale begins when Fran ois Pignon, (Gad Elmaleh) a restaurant car service valet at a posh Paris hotel gets caught-up in a billionaire industrialist's sneaky infidelities. Veber's plot quickly turns on the fall guy, when Fran ois ? an innocent passerby - is photographed by a paparazzo leaving the hotel along with Pierre Levasseur (Daniel Auteuil), the wealthy tycoon and his beautiful supermodel mistress Elena (Alice Taglioni). In a desperate attempt to avoid an ugly divorce with his wife Christine, (Kristin Scott Thomas) Pierre's scheming lawyer Maitre Foix (Richard Berry) concocts an outrageous plan. By paying the valet a large sum of money to live with Pierre's mistress, the two men hope to mislead the tabloids and most importantly hide the affair from his wife. Meanwhile, the ruthless Pierre must convinc