In the still of the night, three lives are about to cross a woman abandoned, a stranger awaiting his chance and, a best-selling author who imagines the thriller of the year. Deceptively layered and intriguingly misleading, this highly anticipated new film from Oscar-winning director Claude Lelouch (A MAN AND A WOMAN) stars Dominique Pinon and Fanny Ardant as an unlikely pair caught up in a game with high stakes - and deadly consequences.

Claude Lelouch's thriller Roman de Gare (aka Crossed Tracks) features a number of characters and a timeline that skips back and forth, keeping the audience guessing as to how these characters all relate to each other. Fanny Ardant plays a novelist named Judith whose famous works might have been ghost-written by a serial killer dubbed The Magician for his habit of performing acts of prestidigitation in front of his victims. Early in the film, the police quiz her about her relationship with the criminal. Other characters include a hairdresser (Audrey Dana) who offers to give a ride to a stranger who may be the killer. ~ Perry Seibert, All Movie Guide.

This metaphorical drama, about the changes brought to French society by revolution, stars G rard Depardieu as Chabert, a French soldier who served under Napoleon in 1807 and was thought to have died in battle. In fact, Chabert was nearly buried in a mass grave with a large number of deceased soldiers, but he managed to crawl from the pile of corpses and has been wandering through the French countryside ever since. In the ten years since his death, Chabert's wife (Fanny Ardant) has spent his fortune and gone on to marry Count Ferraud (Andre Dussolier), which has made her a woman of wealth and power. When Chabert, now a lumbering tramp, confronts the Countess, she refuses to admit that he was once her husband, and Chabert takes her to court to recover his money and property. Colonel Chabert was based on a novella by Honor de Balzac, and it marked the directorial debut of Yves Angelo, previously one of France's top cinematographers. ~ Mark Deming, All Movie Guide.

A mournful look at the last days of opera diva Maria Callas, director Franco Zeffirelli's biographical drama attempts to explore the irresistible allure of a comeback for a fallen star who hungers for the success of her past. Weathered from the excess of the previous decade and with her best performances long behind her, Callas (Fanny Ardant) withdraws to her Paris apartment to live her final days in seclusion. Despite being ravaged by a throat disease and being stuck in an extended period of mourning following the death of her true love, Callas' manager Larry Kelly (Jeremy Irons) nevertheless suggests that the former reigning queen of opera attempt a spectacular comeback. Though she is physically unable to perform the pieces the way that she once did, the suggestion to lip-sync to recordings of her previous performances offers a tentative chance for latter day fame. Despite her belief that lip-syncing her performance would be dishonest to her fans, the prospect of performing {+Carmen}, an opera that she once

The many ways in which men are fascinated, compelled, and confused by their attraction to women are explored in this four part drama. As a filmmaker (John Malkovich) tries to sort out his plans for his next film, he considers several stories about women and the men who love them. Silvano (Kim Rossi Stuart) meets Carmen (Ines Sastre) and immediately asks her for a date, but despite his attraction, he can't follow through on his feelings for her. The director spies a woman on the streets (Sophie Marceau) and follows her obsessively, but when he finally meets her, he's disappointed, despite their mutual physical attraction. Roberto (Peter Weller) and his wife Patricia (Fanny Ardant) have to deal with their anger about each other's infidelities, as well as their problems with their lovers, Olga (Chiara Caselli) and Carlo (Jean Reno). And Niccolo (Vincent Perez) falls in love at first sight with a young woman (Irene Jacob), unaware that she is studying to become a nun. Par-Dela Les Nuages was Michelangelo Antonion

Two of Spain's biggest female stars headline this offbeat comedy about the battle of wills between good and evil. Heaven is not getting its fair share of business for the afterlife, so Lola (Victoria Abril), an angel who sings in a nightclub located beyond the pearly gates, is sent to Earth to drum up business by her boss, Marina (Fanny Ardant). Her first prospect is Manny (Demi n Bichir), a prizefighter with an injury that could take his life at any time. As Lola tries to claim Manny's soul for the Lord, the wicked Jack Davenport (Gael Garc a Bernal) believes that the Devil deserves the boxer's soul, and he sends one of Hell's waitresses, Carmen (Pen lope Cruz), to seal the deal. On Earth, Lola takes the form of Manny's former love and urges him to mend fences with his mother, while seductive Carmen tries to persuade Manny to return to the ring, knowing that another fight would mean his death. While Lola and Carmen wage war over Manny's soul, they maintain their cover by working at a grocery store, where

A middle-aged woman fears that her husband is cheating on her -- and chooses a very unlikely method for verifying her paranoia -- in this psychological drama from the writer of Une Liaison Pornographique. Catherine (Fanny Ardant) is a successful Parisian gynecologist whose long-term marriage to Bernard (G rard Depardieu) has been passionless as of late. When she checks his cell phone messages one afternoon, she discovers a suggestive thank you from a young colleague of his, which creates an even wider chasm between the two. Desperate, Catherine goes to an upscale strip club nearby to solicit the services of Nathalie (Emmanuelle B art), a matter-of-fact prostitute. It seems Catherine wants Nathalie to seduce Bernard and report back to her each week, an assignment that's initially off-putting to the young woman, but one she begins to relish as the weeks pass. Soon, Nathalie is using intimate details to fuel Catherine's rage toward her husband. Nathalie... had its gala North American premiere at the {~2003 Tor

In 1950s France, a wealthy family gathers for the holidays at their isolated country mansion. But when the patriarch of the family is found murdered, the reunion is thrown into chaos. The killer must one of eight women in the house: his domineering wife (Catherine Deneuve), miserly mother-in-law (Danielle Darrieux), spinster sister-in-law (Isabelle Huppert), sophisticated sister (Fanny Ardant), teenage daughters (Virginie Ledoyen and Ludivine Sagnier), the loyal housekeeper (Firmine Richard) or the sultry maid (Emmanuelle Beart). All eight women have motive and all are keeping a secret. So who did the deed? -

A middle-aged woman fears that her husband is cheating on her -- and chooses a very unlikely method for verifying her paranoia -- in this psychological drama from the writer of Une Liaison Pornographique. Catherine (Fanny Ardant) is a successful Parisian gynecologist whose long-term marriage to Bernard (G rard Depardieu) has been passionless as of late. When she checks his cell phone messages one afternoon, she discovers a suggestive "thank you" from a young colleague of his, which creates an even wider chasm between the two. Desperate, Catherine goes to an upscale strip club nearby to solicit the services of Nathalie (Emmanuelle B art), a matter-of-fact prostitute. It seems Catherine wants Nathalie to seduce Bernard and report back to her each week, an assignment that's initially off-putting to the young woman, but one she begins to relish as the weeks pass. Soon, Nathalie is using intimate details to fuel Catherine's rage toward her husband. Nathalie... had its gala North American premiere at the 2003 Toron

In 'Paris, Je T'Aime,' celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas, have come together to portray Paris in a way never before imagined.Made by a team of contributors as cosmopolitan as the city itself, this portrait of the city is as diverse as its creators' backgrounds and nationalities. With each director telling the story of an unusual encounter in one of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen.An outstanding host of actors including Natalie Portman, Maggie Gyllenhaal, Fanny Ardant, Elijah Wood, Nick Nolte, Bob Hoskins, Juliette Binoche, Emily Mortimer, Catalina Sandino Moreno, Rufus Sewell, Barbet Schroeder, Ludivine Sagnier, Gena Rowlands, Miranda Richardson and Steve Buscemi, grace these vignettes with their larger-than-life personas. Their performances add even deeper resonance to th