Mastered from the original 35mm material, this fifth volume of lost films from the great comedy team of Stan Laurel and Oliver Hardy includes all silent shorts: "Wrong Again" (1929, 20 min.), "Habeas Corpus" (1929, 21 min.), the first true Laurel and Hardy teaming in "Duck Soup" (1927, 20 min.), "Leave 'Em Laughing" (1928, 19 min.), the Charley Chase/Oliver Hardy short "Fluttering Hearts" (1927, 22 min.), and the Stan Laurel/James Finlayson film "Short Kilts" (1924, 21 min.).

Mastered from the original 35mm material, this fifth volume of lost films from the great comedy team of Stan Laurel and Oliver Hardy includes all silent shorts: "Wrong Again" (1929, 20 min.), "Habeas Corpus" (1929, 21 min.), the first true Laurel and Hardy teaming in "Duck Soup" (1927, 20 min.), "Leave 'Em Laughing" (1928, 19 min.), the Charley Chase/Oliver Hardy short "Fluttering Hearts" (1927, 22 min.), and the Stan Laurel/James Finlayson film "Short Kilts" (1924, 21 min.).

When golden boy Neil Oliver (James Marsden) is granted one wish by a mystical character (Gary Oldman), he is set off on the road trip of a lifetime.

When golden boy Neil Oliver (James Marsden) is granted one wish by a mystical character (Gary Oldman), he is set off on the road trip of a lifetime.

When golden boy Neil Oliver (James Marsden) is granted one wish by a mystical character (Gary Oldman), he is set off on the road trip of a lifetime.

A pair of stepsiblings are torn between desire and suspicion in this sexy thriller. Scott Doherty (Adam Garcia) is a young man in his early twenties who is still coming to terms with the unexpected death of his father (James Naughton) when he learns that his mother, Maureen (Jacqueline Bisset), is engaged to marry Oliver Vance (Stuart Wilson). Scott doesn't approve of the marriage, and he soon learns Oliver's daughter Kelly (Alice Evans), also in her early twenties, has similar misgivings, primarily because Oliver also just recently lost his spouse. As Scott and Kelly get to know one another, they begin to wonder if the recent deaths that made the marriage of Maureen and Oliver possible were entirely accidental, though their feelings become far more complicated when they enter into a passionate affair. ~ Mark Deming, All Movie Guide.

New army recruits Oliver (Oliver Hardy) and Stan (Stan Laurel) infuriate their sergeant (James Finlayson) in this scene from Bonnie Scotland (1935).

Jon Amiel directed this satire on mistaken-identity thrillers and the spy genre, scripted by Robert Farrar, Tim John, and Oliver Butcher from Farrar's unpublished novel, Watch That Man. In the female lead, Joanne Whalley returned to films after a three-year absence, choosing to do so with director Amiel. Farrar's Hitchcockian-style story focuses on naive Blockbuster Video clerk Wallace Ritchie (Bill Murray) who travels from Des Moines, Iowa, to London to celebrate his birthday with his wealthy younger brother, James (Peter Gallagher). When he turns up on the same night that James has plans to attend a high-profile client dinner party (that he hopes will bring him millions from a German investment firm), James needs to keep Wallace away during the evening, so he gives Wallace a ticket to the participatory Theater of Life. The theater game requires Wallace to assume a character and interact with actors portraying people in dramatic situations. At the corner phone booth, the initial call should begin the even

Stanley and Oliver tangle with saloon owner Mickey Finn (James Finlayson) and his wife Lola (Sharon Lynne) over a deed to a gold mine in this scene from Way Out West (1937).

After Fred (James Phelps) and George Weasley (Oliver Phelps) disrupt exams with a fireworks show, Harry Potter (Daniel Radcliffe) has a vision.