From Asteroid B-612... into our hearts. Antoine de Saint-Exupery's slender, beloved classic of innocence and discovery comes to the screen with its feet firmly on the Saharan sand, its eyes tilted to the stars and its spirit brightly soaring to the songs of Alan Jay Lerner and Frederick Lowe (My Fair Lady, Camelot). "The score of The Little Prince is a sheer delight," says Vincent Canby of The New York Times. Delightful, too, is the magical storyline about a desert-stranded pilot (Richard Kiley) and a wandering child from a faraway place. Together, the two share encounters that amuse, charm and touch the heart. Have you ever acquired wisdom from a fox (Gene Wilder)? Cared for a rose that was special beyond all other roses? Visited a far-off, far-out king? Witnessed the wily dance of a snake (Bob Fosse)? The universe-no, life-is an enchanting place, even more so when it's shared with The Little Prince.

Director Bob Fosse's fact-based tale of {~Playboy} centerfold Dorothy Stratten's short life and gruesome death focuses less on Stratten (played by Mariel Hemingway) than on her husband/manager, sleazoid pornographer and all-around failure Paul Snider (Eric Roberts, ideally cast). He sees the young beauty as his meal ticket and sets out to pimp her in the adult entertainment business. He marries her and appoints himself her career manager; soon after, she attracts the attention of {~Playboy} executives and wins a spot in the magazine. As her success increases however, so does Snider's alienation as he finds himself left out in the cold. His jealousy begins to consume him; she spurns him on the advice of her new friends; he goes berserk and confronts her. The same murder-suicide inspired the made-for-television Death of a Centerfold. This was choreographer/filmmaker Bob Fosse's final film. ~ Jeremy Beday, All Movie Guide.

Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood's {~Goodbye to Berlin}, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles. Fosse uses the decadent and vulgar cabaret as a mirror image of German society sliding toward the Nazis, and this intertwining of entertainment with social history marked a new step forward for the movie musical. Michael York plays a British writer who comes to Berlin in the early 1930s in hopes of becoming a teacher. He makes the acquaintance of flamboyant American entertainer Sally Bowles, played by Liza Minnelli. Sally works at the Kit Kat Klub, a George Grosz-like Berlin cabaret where each night the smirking, androgynous Master of Ceremonies (Joel Grey) introduces a jazz-driven girlie show to his debauched audience. Virtually all the film's musical numbers are staged within the confines of the Kit Kat Klub, and each song comments on the plot and on Germany's progression fro

The College Board administered the first SAT exam, and Bob Fosse, Randy Jackson and K.T. Tunstall were born.

The dancing team Marge and Gower Champion star in Give A Girl A Break (1954) with support from Debbie Reynolds and Bob Fosse.

Recorded in the wake of the phenomenal success with the screen adaptation of Cabaret, Liza with a Z features Liza Minnelli performing over a dozen songs under the direction of Bob Fosse. This special originally aired on network television. The setlist includes renditions of God Bless the Child, Son of a Preacher Man, Bye Bye Blackbird, and a medley of songs from Cabaret. ~ Perry Seibert, All Movie Guide.