An ambitious, historic attempt to explore and document an untamed American frontier unfolds in this rousing adventure drama starting Fred MacMurray, Charlton Heston, Donna Reed and Barbara Hale. In 1803, Meriwether Lewis (MacMurray) and William Clark (Heston), with President Thomas Jefferson's blessing, embarked on the government-sponsored Lewis & Clark Expedition an attempt to discover a water route connecting St. Louis, Missouri, with the Pacific Ocean. Their trek takes them through the magnificent, danger-filled territory of the Pacific Northwest, with guidance from the Native American maiden Sacajawea (Reed). It's an adventurous journey into country that, at the time, had yet to be seen by anyone except native tribes. With panoramic vistas around every bend and treacherous conditions awaiting at every turn, this account of Lewis & Clark's thrilling quest, directed by Rudolph Mate (D.O.A., When Worlds Collide), mixes rugged action and tender romance with spectacular scenery.

It's start-to-finish laughs when Polly Bergen ("Making Mr. Right," "The Winds of War") is America's first female president and Fred MacMurray ("My Three Sons") is the husband who has to cope with his new title of "First Man."

It's start-to-finish laughs when Polly Bergen ("Making Mr. Right," "The Winds of War") is America's first female president and Fred MacMurray ("My Three Sons") is the husband who has to cope with his new title of "First Man."

Gail Allen (Madeleine Carroll) is a no-nonsense businesswoman with little time left for any personal life. Bill Burnett (Fred MacMurray) is in love with Allen and hopes to share his feelings with her during a trip to Nassau. Allen begins to warm up to Burnett's charm but a misunderstanding forces her away from him and back to New York. Burnett returns to New York with the determination to finally win her over.

Gail Allen (Madeleine Carroll) is a no-nonsense businesswoman with little time left for any personal life. Bill Burnett (Fred MacMurray) is in love with Allen and hopes to share his feelings with her during a trip to Nassau. Allen begins to warm up to Burnett's charm but a misunderstanding forces her away from him and back to New York. Burnett returns to New York with the determination to finally win her over.

Alan Kalter re-enacts Fred MacMurray's role in "Double Indemnity."

Katharine Hepburn stars as Booth Tarkington's would-be society belle Alice Adams. The product of a family of modest means, Alice nonetheless dreams of being accepted by the better people. Luck of luck, she meets well-to-do young Fred MacMurray at a social gathering; he is charmed by her pathetic attempts at putting on airs and accepts her invitation to dine at the Adams home. The meal is a disaster: Alice's parents (Fred Stone and Anne Shoemaker) are obviously way out of MacMurray's league, while the servant (Hattie McDaniel) that the family hired for the occasion shows up drunk and very surly. Alice Adams was the first major directorial assignment for George Stevens, as well as one of the few Katharine Hepburn vehicles of the 1930s to score a hit with the public. ~ Hal Erickson, All Movie Guide.

Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect mat

A police detective (Fred MacMurray) falls for the bank robber's girlfriend he is supposed to be tailing in Pushover (1954) introducing Kim Novak.

A discouraged Professor Brainard (Fred MacMurray) suddenly discovers he's discovered "flubber," in The Absent-Minded Professor, 1961.