Spencer Tracy and Katharine Hepburn (who won the Academy Award for Best Actress for her performance) are unforgettable as perplexed parents in this landmark 1967 movie about mixed marriage. Joanna (Katharine Houghton), the beautiful daughter of crusading publisher Matthew Drayton (Tracy) and his patrician wife Christina (Hepburn), returns home with her new fiance John Prentice (Sidney Poitier), a distinguished black doctor. Christina accepts her daughter's decision to marry John, but Matthew is shocked by this interracial union; the doctor's parents are equally dismayed. Both families must sit down face to face and examine each other's level of intolerance. In Guess Who's Coming to Dinner, director Stanley Kramer has created a masterful study of society's prejudices.

KATHARINE HEPBURN and SPENCER TRACY star as parents perplexed about their daughter's engagement to a black doctor.

Martin Short describes his surreal experience getting the Royal Order of Canada (the Canadian equivalent of Knighthood), does master impressions of Jerry Lewis and his host, David Steinberg, and happily recalls his stint as a sleazy cousin on Steinberg's 70s sitcom. Short also tells the story of what happened the night he sat next to Katharine Hepburn at the theatre (find out why she ended up changing seats).

Katharine Hepburn as Mrs. Delafield, a widow who falls in love with her Jewish doctor - to her and his children's objection.

Spencer Tracy and Katharine Hepburn play a couple whose attitudes are challenged when their daughter brings home a fiance who is black.

Actor Cate Blanchett recalls the advise Director Martin Scorsese gave to before playing the role of Katharine Hepburn.

Based on the Broadway play by Robert Fryer and Lawrence Carr, Desk Set represents the eighth screen teaming of Spencer Tracy and Katharine Hepburn. Hepburn plays the head of a TV network research department; Tracy plays an efficiency expert, hired to modernize Hepburn's operation. When Tracy has a huge computer installed, Hepburn and her co-workers (including Joan Blondell and Sue Miss Landers Randall) fear that they're going to lose their jobs. Their suspicions are confirmed when the computer merrily begins issuing pink termination slips. But something is obviously amiss: the computer not only fires the ladies, but also the head of the network--and Tracy, who isn't even on the company payroll! At this point, Tracy explains that the computer was designed to help Hepburn and her staff and not replace them; he also confesses that, given the pink-slip incident, this might not have been such a hot idea. But Hepburn, who has fallen in love with Tracy, is in just the right mood to forgive him--and doesn't need to c

Katharine Hepburn stars as Booth Tarkington's would-be society belle Alice Adams. The product of a family of modest means, Alice nonetheless dreams of being accepted by the better people. Luck of luck, she meets well-to-do young Fred MacMurray at a social gathering; he is charmed by her pathetic attempts at putting on airs and accepts her invitation to dine at the Adams home. The meal is a disaster: Alice's parents (Fred Stone and Anne Shoemaker) are obviously way out of MacMurray's league, while the servant (Hattie McDaniel) that the family hired for the occasion shows up drunk and very surly. Alice Adams was the first major directorial assignment for George Stevens, as well as one of the few Katharine Hepburn vehicles of the 1930s to score a hit with the public. ~ Hal Erickson, All Movie Guide.

John Wayne returned to the role that won him an Oscar in this sequel to the western classic True Grit. Rooster Cogburn (Wayne) has once again been stripped of his badge after some questionable behavior with his gun, but he's given the chance to earn it back after an especially appalling crime demands an experienced lawman. A gang of violent and ruthless criminals, led by Hawk (Richard Jordan) and Breed (Anthony Zerbe), have stolen a shipment of explosive nitroglycerine and cut a swath through a village led by a preacher and his flock. The preacher died, along with many others, and his daughter, Eula Goodnight (Katharine Hepburn), is determined that the outlaws will be brought to justice. Cogburn is given the task of tracking down the criminals, but he's less than enthusiastic about the fact Goodnight insists on tagging along. Rooster Cogburn marked the first (and last) time John Wayne and Katharine Hepburn would work together on screen; it was also the final film from noted producer Hal Wallis. ~ Mark Deming,

Written by Ruth Gordon and Garson Kanin, Adam's Rib is a peerless comedy predicated on the double standard. Spencer Tracy and Katharine Hepburn play Adam and Amanda Bonner, a husband-and-wife attorney team, both drawn to a case of attempted murder. The defendant (Judy Holliday) had tearfully attempted to shoot her husband (Tom Ewell) and his mistress (Jean Hagen). Adam argues that the case is open and shut, but Amanda points out that, if the defendant were a man, he'd be set free on the basis of the unwritten law. Thus it is that Adam works on behalf of the prosecution, while Amanda defends the accused woman. The trial turns into a media circus, while the Bonners' home life suffers. Adam's Rib represented the film debuts of New York-based actors Jean Hagen, Tom Ewell, and David Wayne (as Hepburn's erstwhile songwriting suitor), and the return to Hollywood of Judy Holliday after her Born Yesterday triumph. One of the best of the Tracy-Hepburn efforts, it inspired a brief 1973 TV series starring Ken Howard and