It's the "morning drive" in Los Angeles, and (David) Lewis and (Larry) Clark discover they have it easy. Dave is a happily married man while his partner, Dave, is a man-about-town, believing he is the ultimate ladies man. Goldie Hawn shows the talent that led to Laugh-In, and Billy DeWolfe shines as fussy station manager Roland B. Hutton Jr. Given its pedigree of executive producers Sheldon Leonard and Carl Reiner, it becomes easy to draw parallels between Good Morning, World and The Dick Van Dyke Show. Here, half the program focuses on what happens at the radio station (as opposed to a TV station of Dick Van Dyke) with the other half focusing on their home lives.

It's the "morning drive" in Los Angeles, and (David) Lewis and (Larry) Clark discover they have it easy. Dave is a happily married man while his partner, Dave, is a man-about-town, believing he is the ultimate ladies man. Goldie Hawn shows the talent that led to Laugh-In, and Billy DeWolfe shines as fussy station manager Roland B. Hutton Jr. Given its pedigree of executive producers Sheldon Leonard and Carl Reiner, it becomes easy to draw parallels between Good Morning, World and The Dick Van Dyke Show. Here, half the program focuses on what happens at the radio station (as opposed to a TV station of Dick Van Dyke) with the other half focusing on their home lives.

It's the "morning drive" in Los Angeles, and (David) Lewis and (Larry) Clark discover they have it easy. Dave is a happily married man while his partner, Dave, is a man-about-town, believing he is the ultimate ladies man. Goldie Hawn shows the talent that led to Laugh-In, and Billy DeWolfe shines as fussy station manager Roland B. Hutton Jr. Given its pedigree of executive producers Sheldon Leonard and Carl Reiner, it becomes easy to draw parallels between Good Morning, World and The Dick Van Dyke Show. Here, half the program focuses on what happens at the radio station (as opposed to a TV station of Dick Van Dyke) with the other half focusing on their home lives.

It's the "morning drive" in Los Angeles, and (David) Lewis and (Larry) Clark discover they have it easy. Dave is a happily married man while his partner, Dave, is a man-about-town, believing he is the ultimate ladies man. Goldie Hawn shows the talent that led to Laugh-In, and Billy DeWolfe shines as fussy station manager Roland B. Hutton Jr. Given its pedigree of executive producers Sheldon Leonard and Carl Reiner, it becomes easy to draw parallels between Good Morning, World and The Dick Van Dyke Show. Here, half the program focuses on what happens at the radio station (as opposed to a TV station of Dick Van Dyke) with the other half focusing on their home lives.

It's the "morning drive" in Los Angeles, and (David) Lewis and (Larry) Clark discover they have it easy. Dave is a happily married man while his partner, Dave, is a man-about-town, believing he is the ultimate ladies man. Goldie Hawn shows the talent that led to Laugh-In, and Billy DeWolfe shines as fussy station manager Roland B. Hutton Jr. Given its pedigree of executive producers Sheldon Leonard and Carl Reiner, it becomes easy to draw parallels between Good Morning, World and The Dick Van Dyke Show. Here, half the program focuses on what happens at the radio station (as opposed to a TV station of Dick Van Dyke) with the other half focusing on their home lives.

Photographer and filmmaker Larry Clark offers another look at the inner workings of urban youth culture in this comedy drama. Jonathan (Jonathan Velasquez) is a teenaged El Salvadorian refugee living in a primarily Mexican-American and African-American neighborhood in South Central Los Angeles. Jonathan and a handful of fellow Salvadorian migr s who are his best friends stand out like sore thumbs on the block, due less to their national origin than because they've rejected the hip-hop music and fashion around them in favor of old-school punk, as favored by the Ramones and latter-day Latino bands such as Suicidal Tendencies. Jonathan and his pals Kiko (Francisco Pedrasa), Eddie (Eddie Velasquez), Porky (Usvaldo Panameno), and Spermball (Milton Velasquez) have a group of their own, and Jonathan, a sweet but streetwise kid who has a way with the girls, is the lead singer. Like all good punk rockers, Jonathan and his bandmates are seriously into skateboarding, and one day they hop several busses and make a pil

Photographer and filmmaker Larry Clark, who made a controversial feature debut with the disturbing drama Kids, returns with another disquieting look at amoral and sexually precocious youth. Bobby (Nick Stahl) is a high school student growing up in southern Florida in the early '90s. Bobby is also a borderline psychotic; he frequently lashes out with brutal violence against those around him and especially enjoys humiliating his best friend Marty (Brad Renfro). While Bobby professes to hate and fear homosexuals, he goads Marty into performing phone sex with men, makes Marty and his friends watch hardcore gay porn films with him, and may have sexually abused Marty. But Marty is hardly the only victim of Bobby's abuse; Bobby has sexually assaulted Marty's girlfriend Lisa (Rachel Miner) and more than once has barged in on the couple while they were making love. Lisa's best friend Ali (Bijou Phillips) has also been raped by Bobby, and he has mistreated nearly everyone in their circle of friends. One night, Marty, L

Following the acclaim for his 1995 Kids debut, Larry Clark directed this drug-crime drama, set in the Midwest of the '70s. Teen junkie Bobbie (Vincent Kartheiser) shares an apartment with his girlfriend Rosie (Natasha Gregson Wagner) and pal Danny (Branden Williams). Bobbie is injured during an encounter with a security guard but regains his health under the supervision of his dynamic drug-dealer uncle Mel (James Woods). After a successful robbery of speed from an out-of-town doctor's clinic, Bobby, Rosie, Mel, and Mel's melancholy gal Sid (Melanie Griffith) encounter gunplay in a drug deal gone sour. With Mel and Bobby both wounded, they retreat to the headquarters of a gun merchant known as the Reverend (James Otis). When Rosie loses her baby, she slips into a depression and more drug use. Mel recovers and begins planning another heist, but the group is beginning to unravel. Shown at 1998 film fests ({~Venice}, {~Toronto}). ~ Bhob Stewart, All Movie Guide.

Part of the Creature Features retro horror movie series on Cinemax, Teenage Caveman is an exploitative remake of Roger Corman's 1958 sci-fi B-movie, re-imagined by director Larry Clark (Kids, Bully). In a post-apocalyptic Neanderthal-style future world, teenage tribal leader David (Andrew Keegan) kills his Shaman father (Paul Hipp) for trying to have sex with his girlfriend, Sarah (Tara Subkoff). Because his father is this big spiritual leader, David is publicly punished and left for dead. However, his attractive band of teenage malcontents rescues him before the whole gang is swept up in a nuclear storm. They end up in the conveniently stylish 20th century dwelling of uninhibited Neil (Richard Hillman) and sexed-up Judith (Tiffany Limos), leading to the inevitable orgy of naked teenagers indulging in sex, drugs, and general gracelessness. The gore-filled conclusion involves several characters literally exploding. Teenage Caveman was the last production for late exploitation mogul Samuel Z. Arkoff. ~ Andrea L