A seemingly ideal marriage is thrown into embarrassing turmoil in Patrice Ch reau's period drama, Gabrielle. Based on the short story {-The Return} by Joseph Conrad, the film opens with Jean (Pascal Greggory) extolling the virtues of his pretty wife, Gabrielle (Isabelle Huppert), in voice-over as he makes his way home from work. Jean and his wife, with help from their team of servants, have fostered the illusion of a perfect bourgeois household. Jean is particularly happy with the way Gabrielle presents herself at the couple's frequent dinner gatherings, attended by their set, whom, as he describes them, fear emotion and failure more than war. We see glimpses of these occasions in flashback, while Jean explains of his wife, I'm proud of what she is -- impassive. The secure little world he's fashioned for himself is shattered when he arrives home and finds a note from Gabrielle, explaining that she's leaving him. It's terrible, and right, the missive states. After a brief explosion of rage, Jean tries to comp

A seemingly ideal marriage is thrown into embarrassing turmoil in Patrice Ch reau's period drama, Gabrielle. Based on the short story The Return by Joseph Conrad, the film opens with Jean (Pascal Greggory) extolling the virtues of his pretty wife, Gabrielle (Isabelle Huppert), in voice-over as he makes his way home from work. Jean and his wife, with help from their team of servants, have fostered the illusion of a perfect bourgeois household. Jean is particularly happy with the way Gabrielle presents herself at the couple's frequent dinner gatherings, attended by their "set," whom, as he describes them, "fear emotion and failure more than war." We see glimpses of these occasions in flashback, while Jean explains of his wife, "I'm proud of what she is -- impassive." The secure little world he's fashioned for himself is shattered when he arrives home and finds a note from Gabrielle, explaining that she's leaving him. "It's terrible, and right," the missive states. After a brief explosion of rage, Jean tries to