Paul Mooney is angry, fearless and very funny. Here he takes direct aim at racism and White America and hits his targets with dead-on accuracy ? and humor. Whether pondering chubby white women?s attraction to skinny brothers, or examining the ?N? word, Paul Mooney is unafraid of the truth ? or the humor that is at the heart of controversy. Mooney?s stand-up is legendary. Grammy -nominated for his comedy album Race, he has spent years writing for other comedians as well. He started out as a writer for Richard Pryor, Redd Foxx and Eddy Murphy and was the head writer for In Living Color, where he created ?Homie, The Clown.? Recently he?d been a regular on the critically acclaimed Chappelle Show, most notably as the character ?Negrodamus.?

Paul Mooney is angry, fearless and very funny. Here he takes direct aim at racism and White America and hits his targets with dead-on accuracy ? and humor. Whether pondering chubby white women?s attraction to skinny brothers, or examining the ?N? word, Paul Mooney is unafraid of the truth ? or the humor that is at the heart of controversy. Mooney?s stand-up is legendary. Grammy -nominated for his comedy album Race, he has spent years writing for other comedians as well. He started out as a writer for Richard Pryor, Redd Foxx and Eddy Murphy and was the head writer for In Living Color, where he created ?Homie, The Clown.? Recently he?d been a regular on the critically acclaimed Chappelle Show, most notably as the character ?Negrodamus.?

Paul Mooney is angry, fearless and very funny. Here he takes direct aim at racism and White America and hits his targets with dead-on accuracy and humor. Whether pondering chubby white women s attraction to skinny brothers, or examining the N word, Paul Mooney is unafraid of the truth or the humor that is at the heart of controversy. Mooney s stand-up is legendary. Grammy -nominated for his comedy album Race, he has spent years writing for other comedians as well. He started out as a writer for Richard Pryor, Redd Foxx and Eddy Murphy and was the head writer for In Living Color, where he created Homie, The Clown. Recently he d been a regular on the critically acclaimed Chappelle Show, most notably as the character Negrodamus.

Few comedians can stir up controversy like the legendary Paul Mooney -- writer for Richard Pryor, creator of In Living Color's Homey the Clown and featured guest on Chappelle's Show. With his characteristic brutal honesty, Mooney passionately and hysterically charges into the electrified currents of racial tension. In this magnificent standup performance at Hollywood's Laugh Factory, Mooney earns a standing ovation with his relentless no-holds-barred observations on black history, stereotypes and prejudices, living in White America, celebrity divas and much, much more!

Few comedians can stir up controversy like the legendary Paul Mooney -- writer for Richard Pryor, creator of In Living Color's Homey the Clown and featured guest on Chappelle's Show. With his characteristic brutal honesty, Mooney passionately and hysterically charges into the electrified currents of racial tension. In this magnificent standup performance at Hollywood's Laugh Factory, Mooney earns a standing ovation with his relentless no-holds-barred observations on black history, stereotypes and prejudices, living in White America, celebrity divas and much, much more!

Adapted from David Leavitt's book {-The Page Turner}, Food of Love tells the story of a cross-generational romance between two men. Paul (Kevin Bishop), a sexually repressed teenager, is an aspiring pianist who gets an opportunity to work as a page turner for Richard Kennington (Paul Rhys), a renowned pianist who also happens to be Paul's idol. A flirtation ensues between the two men after a concert one night, but further possibilities are thwarted by the meddling of Paul's neurotic mother Pamela (Juliet Stevenson). When Paul and Richard meet again six months later in Barcelona, they begin where they left off, tumbling headlong into a passionate affair despite the continued intrusion of Pamela, who believes that Richard is flirting with her. The affair is further complicated by the presence of Mansourian (Allan Corduner), Richard's manager and lover, who is suspicious of the relationship between Richard and Paul. Unable to deal with the situation, Richard flees to New York, and when he and his young lover fin

Laurence Olivier was the director, co-screenwriter (with Alan Dent), and star of this robust adaptation of Shakespeare's drama, which, as Bruce Eder has written, was the final, crowning glory of the British studio system and the end of the great cycle of British films aimed at international audiences. Olivier begins his Richard III with Edward IV (Cedric Hardwicke) being crowned king. In the background of the celebration, Richard (Laurence Olivier) jealously views the proceedings. Soon afterwards, Edward IV is murdered, drowned in a vat of wine. Richard becomes king and, after proceeding with a succession of intrigues and duplicities, he finds his kingdom in dire peril, set upon by Henry Tudor (Stanley Baker) and mustering a final defense for his realm at the Battle of Bosworth. ~ Paul Brenner, All Movie Guide.

Adapted from a Stephen King novel, Rob Reiner's Misery cast James Caan as a writer at a career crossroads. The film opens with Paul Sheldon (Caan) completing work on his latest novel, a break from his popular series of novels featuring the character Misery Chastain. He gets into a severe car accident and is saved by Annie Wilkes (Kathy Bates), a reclusive woman who nurses him back to health. Annie is a huge fan of the Misery novels, and she finishes reading the new one while Paul is convalescing. She becomes enraged when she discovers that Paul has killed off Misery. Annie injures Paul's foot severely so that he is unable to leave her house, and forces him to write a new Misery novel. A local sheriff (Richard Farnsworth) and Paul's agent (Lauren Bacall) both attempt to track down what happened to the missing author. Misery shot the relatively unknown Kathy Bates to stardom, winning her one of the few Best Actress Oscars ever bestowed for portraying an evil character. ~ Perry Seibert, All Movie Guide.

Marsha Mason is known as The Goodbye Girl because of all the live-in boyfriends who have said ta-ta to her in the past few years. A former Broadway chorus dancer, the divorced Mason lives in the Manhattan apartment of her latest lost love with her daughter Quinn Cummings. Enter arrogant actor Richard Dreyfuss, who has subleased the apartment from Mason's former boyfriend and moves in bag and baggage in the middle of the night. Dreyfuss and Mason spend the next few weeks getting in each other's way and fighting like cats and dogs. The wind is taken out of Dreyfuss' sails when he opens in a production of Richard III, which has been sabotaged by the director (Paul Benjamin), who insists that Dreyfuss portrays Richard as a hip-swinging homosexual. The play closes after one performance, and the once-overconfident Dreyfuss goes on a self-pitying drunken binge. Touched by his vulnerability, Mason begins falling in love with Dreyfuss despite her lousy track record with men. Richard Dreyfuss became the youngest ever

Paul (Greg Kinnear) and Jessie Duncan (Rebecca Romijn-Stamos) have barely begun the grieving process when Dr. Richard Wells (Robert De Niro) attends the funeral of the Duncans' eight-year-old son, Adam (Cameron Bright), with a pressing question in tow. Head of the Godsend Fertility Clinic, Dr. Wells claims he can use Adam's rapidly dying cells to clone a replica of the boy, though the necessary DNA will only be viable for another 24 hours. The process in itself is completely illegal; not only must Jessie and Paul be forced to relocate, but they will also be forced to sever all ties with friends and family in order to ensure the secret remains so. Within the space of a day, the Duncans consider the legal and ethical implications of such a procedure, ultimately deciding that their love for Adam is enough to trump the law and any high-minded philosophical questions. After resettling in an idyllic town near Dr. Wells' clinic, Jessie is impregnated with the late Adam's living cells, while Paul is given a beautiful