This nutty British comedy observes with jet black humor the myriad of outrageous calamities that befall an eccentric English clan with more than a few skeletons in its closets, when its patriarch dies an unexpected death. Soon, every complication imaginable - including the wrong corpse in the coffin, the accidental consumption of hallucinogenic drugs and the disclosure of the deceased's closeted homosexuality - befall the grief-stricken mourners. The funeral commences at the family estate, with the arrival of younger son Daniel (Matthew MacFayden), a Manhattanite who has long felt uncomfortable around his cocky, licentious novelist brother Robert (Rupert Graves) - and thus dreads seeing him. Meanwhile, Daniel is also struggling to adhere to promises he's made to his wife (Keely Hawes). Also arriving at the house are cousin Martha (Daisy Donovan) and her intended, Simon (Alan Tudyk), who embarrasses just about everybody, including himself, by accidentally consuming a strange drug that imparts him with wild del

Adapted from Josephine Hart's spare novel by British screenwriter David Hare and French director Louis Malle, this brooding erotic drama concerns the obsessive sexual relationship between an English politician and his son's lover. Stephen Flemming (Jeremy Irons), an up-and-coming member of Parliament, has a beautiful and loving wife, Ingrid (Miranda Richardson), and two children, including son Martyn (Rupert Graves), a successsful journalist. Sparks fly, however, when Stephen meets beautiful art-world denizen Anna Barton (Juliette Binoche), Martyn's new girlfriend. A measured, seemingly passionless man who believes that life can be controlled, Stephen suddenly finds himself unable to resist brief but intense liaisons with the mysterious, melancholy Anna. Eventually she explains the palpable air of sadness that hangs over her: When she was 15, her beloved older brother committed suicide because he could not possess her. Remember, Anna warns Stephen, Damaged people are dangerous. They know they can survive. Dra

A wealthy, upper-class British widow marries a much younger Italian man with disastrous results in this turn-of-the-century costume drama based on the E.M. Forster novel. After marrying into a wealthy family and then losing her husband, middle-aged Lilia Herriton (Helen Mirren) suffers under the disapproving yoke of her haughty mother-in-law (Barbara Jefford). At the suggestion of family friend Caroline Abbott (Helena Bonham Carter), Lilia leaves her young daughter and in-laws for a holiday in Italy, where she falls in love with the penniless but handsome Gino Carella (Giovanni Guidelli). When she announces her plans to marry Gino, the family dispatches her brother-in-law, Philip (Rupert Graves), to prevent the union. But the alternately caddish and thoughtful Philip fails in his mission. Gino proves to be as charming to other women as he is to his wife, but he's genuinely bereaved when she dies in childbirth. Soon, Philip and his high-strung sister, Harriet (Judy Davis), arrive in Tuscany in an attempt to sp

This adaptation of the novel by Virginia Woolf stars Vanessa Redgrave as Clarissa Dalloway, a woman in her mid-'50s living in London five years after the end of WWI. As Mrs. Dalloway prepares an elaborate dinner party at the home she shares with her husband, a prominent politician, she finds herself looking back on her life 30 years before, when as a young woman (played by (Natascha McElhone), she was in love with two different men -- the solid and safe Richard Dalloway (John Standing) and the exciting, free-spirited Peter Walsh (Michael Kitchen). Clarissa also recalls her close friendship with Sally (Lena Headey) as she wonders if she made the right choice in marrying Richard -- especially when Peter makes an unexpected appearance at her party. Mrs. Dalloway also finds herself moved in a way she never anticipated by the plight of Septimus Smith (Rupert Graves), a young man severely injured during the war whom she has never met. Mrs. Dalloway was directed by Marleen Gorris, whose previous credit was the inter

Achingly romantic and creepy-funny, this funereal fantasy from the director of La Chiesa (1989) is unlike any Italian film in memory. Rupert Everett plays Francesco Dellamorte, a lonely cemetery caretaker who just wants to get out of his small town of Buffalora. His assistant and sole companion, Gnaghi (played by famed French musician Francois Hadji-Lazaro) is an overweight cretin who speaks only in grunts, and the dead people outside are rising from their graves as zombies and trying to have him for breakfast. This situation, coupled with all his other problems, gives Francesco a real complex. His troubles are compounded when he meets a series of mysterious women (all played by the beautiful Anna Falchi) whom he loves before they die tragically. Soavi's film is based on a graphic-novel, Dylan Dog by Tiziano Sclavi, but Soavi's more obvious influences range from Jean Rollin's La Rose de Fer (1973) to Tim Burton's Edward Scissorhands (1990). Barbara Cupisti (of Soavi's Deliria) has a small role, and the film a

A group of extreme winter athletes find themselves risking their neck for more than just thrills in this action drama. Jeffrey (Rupert Graves) is a director who has been hired to make a television commercial for a cellular phone company. For the spot, Jeffrey has come up with an exciting visual motif - a group of extreme skiers and snowboarders outrunning an avalanche on a remote mountain range. To get the needed footage, Jeffrey and his crew head to Austria, where they set up to film on a mountain near the former Yugoslavia; joining them is Olympic downhill champion Chloe (Bridgette Wilson-Sampras) and world-class snowboarders Ian (Rufus Sewell, Will (Devon Sawa), Silo (Joe Absolom), and Kittie (Jana Pallaske). While filming along an unchartered slope, Jeffrey's camera crew make an unexpected discovery - they find the secret compound of international terrorist Slobodan Pavlov (Klaus Lowitsch), and even capture the deadly man on videotape. Extremely unhappy that he's been found out, Pavlov turns his immediate